Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered on the right-hand side with a narrow multicoloured, patterned stripe. Small floral-like motifs made of cowrie shells are spaced across the width of the apron. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. Many long strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached just above this patterned textile and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.

Ceremonial skirt, or apron. The main body of the piece is made of black cotton textile. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. Two horizontal, parallel rows of closely-spaced cowrie shells are affixed to the apron just above this patterned textile and extend almost all the way across the width of the garment. Many long strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached below this double row of shells and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.

Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered on the right-hand side with a narrow multicoloured, patterned vertical stripe. Several small ‘rosettes’ made of cowrie shells are scattered across the width of the main body of the apron. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. A horizontal row of closely-spaced cowrie shells is affixed to the apron just above this patterned textile and extends almost all the way across the width of the garment, and below it is a parallel row of Jacob’s tears seeds. Many long strands of dark red and blue glass beads and metallic cylindrical beads, interspersed with Jacob’s tears seeds, are attached below these rows of shells and seeds and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.

Rectangular, ceremonial skirt, or apron. The main body of the piece is made of black cotton textile which is bordered at the top with a narrow, brown and gray horizontal stripe. The lower third of the garment consists of a finely-woven, horizontally striped, multicoloured textile, with many woven geometric motifs. A horizontal row of closely-spaced small clam shells is affixed to the apron just above this patterned textile and extends almost all the way across the width of the garment. Many long strands of dark red glass and metallic cylindrical beads, interspersed with white seeds, are attached below this row of shells and hang freely to the bottom of the garment. Each strand of beads is finished with a tuft of wool, resembling a small tassel.

Rectangular, embroidered, and appliquéd textile panel, decorated with square mirrors. Panel edged with closely-spaced cowrie shells on three sides; the top edge has three black fibre ties, evenly space along the edge. Bottom edge has three ‘tassels’ made of clusters of cowrie shells and metal beads (cylindrical and bell-shaped). Six large square mirrors and several small square mirrors, worked on a bright pink and orange background, and in the centre of the panel, are surrounded by a border of small square mirrors. The panel is lined with red and tan resist-dyed textile.

Plain wooden spindle with a thin, unadorned wooden whorl near the top; white thread-like fibre is wound around the shaft beneath the spindle.

Very long, narrow, black and grey textile, decorated with many horizontal rows of resist-dyed or painted red disks that are overprinted or stamped with black cross-shaped motifs, like petals of a flower. Sections woven with wool or goat hair yarns alternate with sections woven with cotton yarns. Long black fringes at each end are made by tightly twisting the warp yarns.

Small, flat, square, embroidered, envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch, are grouped together into larger squares, arranged in an X shape, and are outlined in black. Mirror-work is incorporated into the designs and along the edges of the square. The embroidery is so dense that it completely covers the background textile. The seams are embellished with decorative stitching. There are small pompoms scattered throughout the design. Two thin fibre strings are attached to the corner of the flap. The embroidery is underlined with multicoloured cotton gauze.

Rectangular, embroidered panel (woman's blouse-front -- unfinished) made of red cotton muslin, heavily embellished with designs worked in metallic and multicoloured threads, and combining two different styles of embroidery. In the centre of one end of the panel (the top of the blouse design) is a long, narrow, vertical, dagger-shaped section embellished with closely-spaced mirrors and large, circular whorls made of coiled silver, metal-wrapped thread, laid and couched with black thread. Parts of the designs are worked in chain stitch and elongated square chain stitch. Rows of metallic whorl motifs also embellish two rectangular shoulder panels and two square panels at chest level. Black thread is used for couching the silver thread in some of the whorls, while in others, yellow thread is used, giving the illusion that the silver metallic thread is gold. Portions of the design are unfinished or incomplete. At the other end of the panel (below the waist level of the blouse-front), the designs form an apron effect, decorated with scattered, multicoloured X-shaped motifs worked in satin stitch. There is a border of temple-shaped motifs, flowers and mirrors at the 3 edges of this “apron.” There are raw edges on all 4 sides of the panel, and there is no underlining. Four glass beads (3 opalescent, 1 green) are incorporate into the design, but do not contribute to the design scheme itself.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side has a rectangular centre design panel embroidered with diamond shaped motifs outlined in black, some embellished with mirrors; the centre panel is outlined in dark yellow stitching, a row of mirrors interspersed with embroidered bars, and an edging of black “braid” made from dense bundles of black thread that are laid and couched at wide intervals. There is a pompom made of cotton thread at each corner. The pouch is lined with red printed cotton gauze.