Phulkari style embroidered cap or hat. Predominantly in navy, with orange, white, and black on a red ground. Mirrors and sequins are integrated into the designs.

Embroidered skull-shaped cap or hat. Diamond-shaped designs of yellow and white, outlined in black. Small, round mirrors are sewn at the corners of each. Lozenge-shaped designs above and below. Purple background. Darning-stitch outlined with chain-stitch.

A very thin and delicate knitted shawl that has flame-like patterns in rows of brown, blue, orange, yellow, beige, and red. Fringe sewn on all four sides.

Rice straw 'painting' on black cloth, stiffened with paper(?). Painting depicts scene of canoe-type boat full of people paddling. Mountainous shoreline in the background of the painting, along with birds in the sky; palm tree, with small plants around base, in the foreground. Boat has a tall stern and low bow; three people closest to the stern are standing, rest of paddlers are seated. Back of painting lined with white paper; red fabric tie threaded through paper, for hanging purposes. Manufacturer's mark stamped in bottom right corner, and pencil inscription written along left edge; both marks on back of painting.

Rice straw 'painting' on black cloth, stiffened with paper(?). Painting depicts scene of a person paddling at the stern of a dhow-type boat. Mountainous shoreline in the background of the painting, along with birds in the sky; palm tree, with small plants around base, with path to water, and dock in the foreground. Back of painting lined with white paper; orange fabric tie threaded through paper, for hanging purposes. Manufacturer's mark stamped in bottom right corner, and pencil inscription written along left edge; both marks on back of painting.

Elongated rectangular wedding shawl made of pale gold wild tussar silk. Faint dark grey-brown bands across length at varying intervals and of differing widths. Left and right sides are trimmed with openwork and tightly woven bands; short pieces of fringe on edges. Top and bottom edges are finished.

Bronze sculpture of a water buffalo. Head is circular, tapering to a long flat snout. Raised swirls, imitating eyes, on either side of face. Horns curl under buffalo’s head and ears are pointed back at an angle. Line of concentric circles, done in low relief, decorate entire back of buffalo. Below, on either side of the body, are rows of concentric semi-circles; triangle patterns formed in the negative space. Buffalo’s legs are straight and have points on the front and back. Undecorated tail hangs from back, between hind legs, with a slight curve at the end.

A large, rectangular fish trap (Ghunni). The main body of the trap is made up of thin bamboo strips running parallel to one another, and stitched together with palm leaf. The palm leaf has been twisted together into thicker strands, and is woven perpendicular to the bamboo. The trap's frame is constructed from thicker pieces of bamboo. This includes the edges of the trap, as well as further reinforcement on the sides, top, and bottom. All sides of the trap are closed except for the front. The front of the trap is made from two pieces that have been angled inwards to form an inverted triangle. There is a gap between the two pieces which allows fish to swim through. Inside of the trap, just beyond this opening, are two flexible structures made of thin bamboo strips. The strips are woven together in rows using palm leaf. The structures are tied to both ends of the trap, and pointed inward to keep fish from swimming back out of the box.

A fish basket, or pouch, woven of palm leaf. The pouch is triangular in shape, with a wide bottom that tapers to a narrow, circular mouth. The palm leaves are arranged in vertical rows, with small gaps between them. The leaves are folded in half, with the folded sections acting as the bottom of the pouch. Small vines are woven in perpendicular rows across the leaves, so as to hold the pouch together. The vines are woven through the gaps in the leaves, going over the first leaf, under the next, and then over again in an alternating pattern. This pattern is repeated every 5-7 centimetres, for a total of nine rows. At the neck of the pouch, a vine has been woven around its circumference multiple times. At the mouth of the pouch, the palm leaves are folded over to form a horizontal rim, and secured with thin, cotton thread. The thread wraps around the rim of the pouch multiple times, and in opposite directions, forming X shapes. This cross-stitch lashing occurs at 1-2 centimetre intervals. A long piece of rope is knotted at the mouth of the basket, enabling the user the carry or attach the basket to their waist. The rope was previously green, but most of the colour has faded away. At the bottom corner of the pouch, a light blue fibre has been wound repeatedly around a vine.

Cast bronze figure of a woman sitting and cleaning rice. Figure’s body and limbs are long and thin. She has a long rounded nose, pronounced lips and eyes, and heavy brows. Her hair is curly, with incised lines throughout, and is styled in a low bun. Figure is wearing a short skirt, with incised horizontal lines throughout, and triangular headpiece. The edges of the headpiece are braided, front has diagonal incised lines throughout, and back is plain. Wearing earrings, anklets, arm bands and a necklace that wraps around her neck before draping down in between her breasts. Two swirl designs, done in relief, on the figure’s shoulders. Her left leg is propped up, her right leg is bent and resting flat. In her left hand she is holding a container with rope cords, in her left she is holding a handled platter with water(?) running off it. Two semi-circular protrusions along bottom edge, on back of figure.