Model pot with lid (B608 b). Pot tapers near the bottom, widens at the centre, and tapers near the top creating a rounded lip. The pot is red, possibly from being dipped in red clay slip. The pot has a rounded bottom.

Model pot with lid (B610 b). Pot tapers near the bottom, widens at the centre, and tapers near the top creating a rounded lip. The pot is red, possibly from being dipped in red clay slip. There is a thick chalky line painted around the widest part of the pot around the middle. There are chalky dots painted around the neck of the pot. The pot has a rounded bottom.

Cylindrical metal container that tapers slightly towards the bottom. The outer surface is engraved with vine and leaf scrolled designs. The outside also depicts human figures and animals in a hunting scene. There are palm leaf engravings around the perimeter of the base where the container starts to taper. The container is raised up on a pedestal foot. This is engraved with crescent-shaped lines around the entire perimeter.

A dark brown wood stand with six cylindrical legs attached by six cylindrical cross bars pivoting from a central cylindrical peg. Each leg is carved with a vase-like shape at one end and a vase-like shape topped with a cylinder at the other end. The central peg has an egg-shape in the middle and a bulbous shape at the ends.

Model winnowing tray. Tray is upturned at one end and flattens at the other. There is a thick band of pink coloured bamboo that lines the perimeter of the piece, inside and out. There are line designs painted on the interior with pink dye.

Model of an umbrella. A long handle (part a) is split at the end to make four prongs and is wrapped with brown bark(?). The handle attaches to the centre of the underside of the umbrella's top (part b). The top of the umbrella is cone shaped, is woven in a herring-bone pattern, is decorated with a thick band of pink woven grass in its centre and is outlined in black coloured woven grass. There is also a thick band of pink bamboo that is attached to the perimeter of the umbrella top by evenly spaced bamboo loops. Part c is a long thin stick with brown bark(?) twisted around one end. Part d is a long thin stick that has no bark twisted on its end.

Model fish trap. Cone shaped with round, flat bottom. Plain. Five sections of split bamboo tied to grey coloured twisted rings.

Basket (part a) and basket base (part b) resembling the shape of a duck. The basket (part a) or the body of the duck-shape, has one end that is wide and round. This then angles inwards and tapers to a narrow point. From this point, the basket widens and resembles a duck's large tail feather. At the widest part of the body, the basket rises with coils to a large purple coiled knob with two coiled triangular shapes protruding from one side. The basket base (part b) fits on the underside of the body and is tear-drop shaped. It has a coiled perimeter, but the centre consists of long stripes of stem that come together in the middle and are slightly twisted. There are four sections of purple stem amongst the natural stem portions.

Woman’s rectangular, embroidered shawl (headcloth). Made of brown, coarsely-woven cotton textile, embroidered over-all with brightly coloured, regularly spaced, squares that are arranged in 6 vertical rows of 12 each. The squares have stylized floral and leaf shapes in them, differing slightly in their predominance of 4 colours: orange, bright pink, light green and white; worked with a surface or “false” satin stitch. Border design of triangles at the ends, and borders of leaf motifs on the sides, which are finished with blanket stitch. The piece is constructed from three sections which were sewn together before the embroidery was worked.

Woman’s rectangular, embroidered shawl (headcloth). Made of red-orange, coarsely-woven cotton textile, embroidered over-all with brightly coloured, regularly spaced rows of stylized floral shapes that are separated by narrow bands of orange cross-stitch. The floral shapes are identical in shape and alternate in four colours in the row, dark yellow, hot pink, light green and white. They are worked with surface or “false” satin stitch. The alternating colours in the rows match up diagonally across the width of the shawl. Leaf-shaped border designs on the ends and along the sides. The sides are finished with blanket stitch in light green silk, while the ends are unfinished. The piece is constructed of three textile panels which were sewn together before the embroidery was worked.