Fully beaded u-shaped fan over woven rattan or grass (?). Birds and bushes in blue, yellow, red, green, and orange on white background, multi-coloured handle and looped fringe at bottom. Reverse side is pink fabric.

White beaded panel with tree at centre in brown, green and red beads surrounded by outline of green square, border of red, yellow, green and black animals and another square outline. Around this are 12 of the same symbol in red, yellow, blue and green. A border of red, yellow, green and white arrows, then an outer border of red, white and blue separate bead work from fabric frame. Two bands of red then yellow frame the square, then three bands of geometric shapes, chevron, diamond and diagonal. Dark blue border near edge and red band is the outer most border. Reverse side red cotton.

Rectangular shaped pink skirt with red and light blue horizontal stripes. In the centre is a vertical wool strip with a yellow, red, black and white zigzag pattern. The textile has a dark green and blue and white border.

Rectangular embroidered and appliquéd textile panel, decorated with mirrors and edged with closely-spaced cowrie shells on three sides; the top edge is has a fibre loop attachment at the left corner. The design in the centre of the panel consists of two square motifs, embellished with rows of mirrors on a red and dark yellow background. A border design of embroidered and appliquéd bands and mirrors surrounds the central motifs. There are three 'tassels' made of clusters of bell-shaped pompoms of fine cotton thread and suspended from twisted fibre cords, evenly spaced on the 'bottom' edge; the tassels are trimmed with cowrie shells and metal beads.

Alternating white and blue flowers and leaves, outlined in white embroidery, on red ground. Green border at bottom with larger flowers in white, blue, and green outlined in white embroidery. Reverse side is light brown fabric.

Long, rectangular textile of thin, tie-dyed cotton. The outer border of the fabric has been dyed red, while the rectangular centre is a deep blue. Both the border and the centre panel are covered in geometric and curvilinear patterns in white and yellow; patterns are comprised of small, yellow and white, square, outline-like shapes, with the centres showing the ground colour. Circular areas of red dye evenly spaced throughout the blue centre also feature designs with small white squares.

Rectangular, embroidered, and appliquéd textile panel, decorated with square mirrors. Panel edged with closely-spaced cowrie shells on three sides; the top edge has three black fibre ties, evenly space along the edge. Bottom edge has three ‘tassels’ made of clusters of cowrie shells and metal beads (cylindrical and bell-shaped). Six large square mirrors and several small square mirrors, worked on a bright pink and orange background, and in the centre of the panel, are surrounded by a border of small square mirrors. The panel is lined with red and tan resist-dyed textile.

Small, flat, square, embroidered, envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch, are grouped together into larger squares, arranged in an X shape, and are outlined in black. Mirror-work is incorporated into the designs and along the edges of the square. The embroidery is so dense that it completely covers the background textile. The seams are embellished with decorative stitching. There are small pompoms scattered throughout the design. Two thin fibre strings are attached to the corner of the flap. The embroidery is underlined with multicoloured cotton gauze.

Rectangular, embroidered panel (woman's blouse-front -- unfinished) made of red cotton muslin, heavily embellished with designs worked in metallic and multicoloured threads, and combining two different styles of embroidery. In the centre of one end of the panel (the top of the blouse design) is a long, narrow, vertical, dagger-shaped section embellished with closely-spaced mirrors and large, circular whorls made of coiled silver, metal-wrapped thread, laid and couched with black thread. Parts of the designs are worked in chain stitch and elongated square chain stitch. Rows of metallic whorl motifs also embellish two rectangular shoulder panels and two square panels at chest level. Black thread is used for couching the silver thread in some of the whorls, while in others, yellow thread is used, giving the illusion that the silver metallic thread is gold. Portions of the design are unfinished or incomplete. At the other end of the panel (below the waist level of the blouse-front), the designs form an apron effect, decorated with scattered, multicoloured X-shaped motifs worked in satin stitch. There is a border of temple-shaped motifs, flowers and mirrors at the 3 edges of this “apron.” There are raw edges on all 4 sides of the panel, and there is no underlining. Four glass beads (3 opalescent, 1 green) are incorporate into the design, but do not contribute to the design scheme itself.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side has a rectangular centre design panel embroidered with diamond shaped motifs outlined in black, some embellished with mirrors; the centre panel is outlined in dark yellow stitching, a row of mirrors interspersed with embroidered bars, and an edging of black “braid” made from dense bundles of black thread that are laid and couched at wide intervals. There is a pompom made of cotton thread at each corner. The pouch is lined with red printed cotton gauze.