Rectangular piece of barkcloth with abstract linear and geometric designs painted across surface; done in black. Top half of painting is divided into two vertical sections; both have long columns covering their entire widths. Columns in left section are decorated with zigzags, "X"'s, diamonds, and triangles. Columns in right sections are decorated with groupings of diagonal lines. Bottom half of painting is decorated with bands of diamonds; negative space between diamonds and band edges are decorated with horizontal and diagonal lines. Back of barkcloth is undecorated.

Goblet-shaped drum with animal skin stretched over the top. Skin is secured in place with wooden pegs and a secondary strip of skin. The shape of the batter head is formed with internal strips of plant fibre, visible at intervals through the skin. Drum has a triangle-like protrusion along the back, towards the top edge, with a small hole drilled through its centre. Likely for hanging purposes. A large hole is cut into the body of the drum, to the left of the protrusion. Drum is decorated with incised lines, circling the entire body. Designs are (from top to bottom): plain line, plain line, zigzag, plain line, and zigzag. Carved inscription over top the first band, to the right of the protrusion. A repair has been made on one side of the body, using sheet metal.

Dark reddish brown painted, wooden face mask. Face has an angular nose, slit-like eyes and protruding lips. Area surrounding eyes is sunken, carved teeth are small and pointed. Geometric motif incised on forehead, lines and ovals carved across cheeks, linear design along chin. Square-like ears on either side of face, with holes drilled through the lobes. Mask has holes for eyes, nose and mouth. A bulbous headpiece is carved above the face. Circles imprinted across sides, at intervals, and top. Headpiece has an additional woven component, attached to the upper back and sides. Woven headpiece is made of thickly braided fibre, shaped by an inner slat frame. Rectangular sections of knotted fibre protrude from the sides and top. Below the headpiece is an open-weave net made of plant fibre, that hangs down behind the wearer's head.

Nkisi figure made of wood. Figure stands on a round platform with knees slightly bent. The arms are bent at the elbows, with both hands placed on a protruding abdomen with an empty hollowed-out space at centre. Each elbow is wrapped, and the right wrap contains a bird foot. The skullcap is raised, with a single horn mounted to the crown. The eyes are narrow slits, with wooden pupils, and the open rectangular mouth has four wooden teeth. Hanging from the pointed chin is a strip of reddish-brown hide. The long neck, waist and ankles are all wrapped and coloured a reddish-orange. The body is heavily decorated, notably on the face and chest.

Cup-shaped basketry container. Cup is slightly wider at the top, then tapers closer to the base. The base is coiled.

Barrel-shaped cup of carved wood. The cup is hollowed halfway. Carved around the convex side are large vertical infinity-style designs, each symbol separated by a large S-shape, with interstices filled with finely cross-hatched. Bordered by horizontal section of three bands of fine lines, zigzagging in a loosely plaited pattern. 'Ngongo Lutete' is carved into the base.

Conical cup composed of wood. The cup is hollowed almost to the base. Carved around the side is a large design of three bands of lines, zigzagging in a loosely plaited pattern. Straight lines are carved horizontally around the rim and base, and vertically down the handle, with a section of triangles at the centre.