Wasa watana (hair tie). A hair tie that is made in a mixture of techniques: oblique interlaced bands with zigzag embroidery for the main band and woven bands made in complementary warp weave that intersect with the main band. Each end has two intersecting bands, and two of those also have intersecting bands. Each end has three tassels made of three bands. Most of the secondary intersecting bands are braided. Combination of techniques used: braiding, weaving and embroidery.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by adding intersecting warps that are woven as separate bands. Warp fringes. Each end has one intersecting warp band, which makes a tassel with three woven bands. Alpaca and sheep’s wool, finely spun.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. The added bands also have intersecting warps that are woven, but the two ends do not have identical numbers of bands. Warp fringes. Alpaca and sheep’s wool fibre. Spinning is fine and hard twist.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by adding a single intersecting warp band to each end. Small white and silver beads, threaded on the weft before weaving, line the edges of the main band and the intersecting warp bands. Warp fringes. Woven of commercially spun yarn, probably synthetic or a blend.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. Warp fringes. Alpaca and sheep’s wool, very finely spun. Each end has 4 intersecting warp bands.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. Warp fringes. Alpaca fibre, finely spun. Notable for the length of bands and fringe and the large number of intersecting warp bands.

A section of a golon (skirt band) that has been made into a belt by the addition of woven ties. The band has a pattern of diamonds and X’s against a red ground, woven in twill tapestry. The ties are woven in a complementary warp weave in wool yarns.

A narrow, incomplete golon (skirt band) with a dark background (navy and green); has several types of diamond patterns and zigzags repeated along its length. Two fragments are sewn together near one end; wool warps and mostly wool wefts.

Longish, narrow moneybag (monedera, Spanish; pachaq chaki, Quechua) pouch that is unfinished (lacks side seams and fringes).

Coca leaf bag (chuspa) with woven strap, tubular woven edgings (ribetes) on seams and edges, and a tasseled fringe on the bottom of the bag. Both faces have diamond-based designs with jagged outlines and interior motifs of potato flowers (papa tika) on one face.