Small circular bowl of pale green, thin, translucent jade. Rim flares out slightly, walls rounding through the body to a small round foot. Surface is polished to a high shine and is otherwise undecorated.

Ceramic multi-story tower in 4 pieces, raw terracotta inside with faded green glaze on the exterior. Each part of the tower balances on top of the one below. The roof and top level of the tower are part 'a.' A small structure sits inside a square balcony, with three figures attached to the ledge in front. The roof is slanted and ridged, flower motifs at each corner, and a bird with wings spread at the peak. Part ‘b’ is larger and contains levels 2 and 3 of the tower, as well as a similar roof, flower motifs and figures on the ledge as part a. Part ‘c’ holds the ground floor level, which has a single partially open doorway. Grilled windows sit high on the structure on three sides. Atop this is a large square balcony with 5 figures attached to the ledge, facing forward. Part ‘d’ is the courtyard of the building, the base surrounded by high walls decorated on top with two rows of regularly spaced indents. The door stands open, with two roofed towers above it to each side.

Ceramic figure of the deity Lokapala standing on a cow. The figure wears full armour with dragon heads at the shoulders, a robe that flows out from under a waistcoat, long pants, and boots. His left hand rests on his hip, while the right is extended to hold a weapon (piece missing). Lokapala is smiling fiercely, with a thick brow above dark eyes. His hair is piled atop his head in a simple but decorative arrangement. The cow below his feet is small, lying on the ground in a resting posture with legs folded beneath, head raised, eyes open. The base of the sculpture mimics rough earthen terrain.

Very long, horizontal scroll with line drawing in ink (baimiao 白描) of figures in an ocean scene, on brown paper. This handscroll depicts several Luohan crossing the sea. Men, women, sea creatures, dragons, demons and Buddha emerge from the waves and whitecaps of the continuous drawing. Some figures are richly dressed, others ragged and emaciated, carrying a variety of objects from fishing lines to bottles. The far right of the drawing takes place on land, showing a robed man surrounded by a tiger, warrior and demons. Red seals are stamped at each end of the painting. The work is mounted on silk fronted paper in cream colour, edged in dark yellow. A panel of mottled orange sits on the far right of the painting as well as a small panel of decorative, protective fabric on the underside. Wooden dowels are attached at each end of the piece, and a blue string with a jade button is sewn to the right dowel. The artist’s signature appears at the end of the scroll, and there is another square seal with four characters following these small seals, but it is not clear. Two more seals are in the lower left corner.

Long, vertical scroll with an ink painting of a nature scene. On brown paper are painted several trees standing at various elevations on the side of mountain, the peak of which can be seen in the distance at the top of the scroll. Amongst the trees are small houses and structures. An elderly man walks along a path at the bottom left of the picture. Five lines of Chinese script are at the top left, as well as two red stamps, with several red stamps also located on the bottom left. The painting is mounted on a larger piece of silk fronted paper in a light cream colour. A small strip of wood lines the top of the work, with a silk hanging string attached and a large decorative wooden dowel is attached at bottom. On the rear top right is a strip of tape with painted Chinese characters.

Bamboo umbrella frame. Frame consists of a thick centre piece holding a round top that supports 14 extendable ribs connected at their bottoms by cotton strips tied to each end. Inner wooden supports are attached high up on the ribs, as well as to a sliding circle that moves up and down the centre piece in order to extend the umbrella. The handle at the bottom end is covered in black cloth tape. A painted gold top piece (part b) is attached to the umbrella by a nail.

Opera costume blouse collar. Collar consists of two layers, the top covered entirely in dark pink, red and light pink sequins and translucent tubular beads arranged in a dense floral pattern. It is edged with white rabbit fur and the back is lined in a shiny orange synthetic fabric. The bottom layer is a light coral colour with a thick edge of pink sequins and a thinner linear design in light pink at centre. This layer is also edged with rabbit fur, and backed with white synthetic fabric. A coral tab of fabric hangs below the centre front of the bottom layer. The collar closes at the back of the neck with four metal snaps.

Ceramic figure of a man sitting on a tree stump, wearing a white-grey robe with a crackled surface, open to show his chest and belly. He holds an open fan in his right hand, resting it on his knee. Brown boots encase his feet and an elaborately tied brown scarf covers his head. His face is covered by a beard and mustache, and lifted brows top wide open eyes.

Long green wrap skirt. Skirt is lime green in colour, made of a light synthetic fabric. Several pleats have been sewn into the top, under a thin unbleached cotton waistband with long ties. A thick stripe of dark green sequins and translucent tube beads edges the skirt’s bottom hem in inverted ‘u’ shapes. Garment is otherwise undecorated. Skirt is fully open to one side.

Woman’s opera costume shirt, lime green in colour and made of a light synthetic fabric. The body of shirt is undecorated, relatively short, straight at sides, with a front button panel made of unbleached cotton with a small rounded neck-opening. Sleeves are wide and scooped, heavily embellished with green sequins and translucent cylindrical beads in the pattern of a dragon with a long, scaled body and clawed feet. Clouds and swirls in green and red surround the creature. The edges of the sleeves have a wide band of green sequins and translucent beads in ‘u’ shapes.