Rectangular plate with raised and angled rim; made of brown clay. Top of wide rim has dark brown glaze applied to it; clear glaze applied across bottom centre of plate. Deep channel carved around edges of plate centre, giving rectangle rounded edges. Four sequential Northwest Coast style design elements painted across surface; done in dark brown-black, from largest to smallest. Artist initials and year made painted on base.

Short vase with flared lip, and slightly curved body that tapers to a flat, circular base; made from red-brown clay. Grey-white speckled glaze applied to interior and opening of vase; glaze extends onto sides at an angle. One long Northwest Coast design element painted across unglazed section; done in black. Artist initials painted on base.

Small round pot that flares slightly at base; made of red-brown clay. Clear glaze applied across interior; light grey-green glaze, with light blue highlights, applied to exterior rim and interior edge of opening. Repeating pairs of Northwest Coast U-form design elements painted in black around unglazed section; alternating between right side up and upside down. Artist initials painted on flat base.

Short pot with flared lip, and slightly curved body that tapers to a flat, circular base; made from red-brown clay. Dark brown glaze applied to interior and pot opening. Northwest Coast design elements painted in black across entire body. Artist initials painted on base.

Cylindrical cream jug with round handle and wide, round spout; made of red-brown clay. Dark brown-black glaze applied to interior, upper half of exterior, handle, and area around handle. Unglazed portion is shaped like an elongated-trapezoid. Northwest Coast design elements painted black in unglazed area. Artist initials painted on base.

Undecorated bentwood box with thick lid. Box, made of yellow cedar, is secured shut along the seam with four pegs; attached to a thin square base. Lid has a deep and wide lip, that protrudes out and completely covers the box opening. Base and lid both made of red cedar, and have rounded edges. Unsigned.

Copper plate engraving on rectangular off-white paper, in horizontal orientation; engraving set into paper, with raised rectangular border. Central design of an owl with outspread wings; outlined with hatch lines. Owl has small circular eyes and a V-shaped beak; body and legs decorated with spots, with faint lines throughout. Wings are covered with rows of hatch lines; entire design done in black ink. Small inscription in top right corner, with price of drawing ($50). Syllabics, edition number, 44/50, year made, and additional syllabics written along bottom edge of engraving; Canadian Eskimo Arts Council logo embossed in bottom right corner. All inscriptions written in pencil.

Ink and pencil crayon drawing on off-white rectangular paper, in portrait orientation; design done on upper half of page, leaving bottom of paper blank. Design consists of two musk oxen, facing away from one another, on a coloured patch of ground. Oxen have yellow horns, and black fur with brown-red highlights throughout; area around eyes, nostrils, and hooves are uncoloured. Ground is a thin, irregularly-shaped oval with small rocks and pebbles scattered throughout; done in light yellow and black. Brown-red, semi-circular hill in the background, with large black rocks scattered and stacked across it. Syllabics signature in bottom right corner of design, overtop coloured ground; number pencil inscriptions along bottom edge, and small white sticker with artist name, on back of drawing.

Set of 6 matching miniature birch-bark chairs (parts a-f), another chair with a slightly different shape and pattern (part g) and a birch-bark corner shelf (part h); all decorated with floral designs in dyed quillwork. Parts a-f and h have similar floral designs on the chair backs and seats, in white, pink, yellow and green quillwork, with a simple cross pattern on the lower sides. The other chair, part g, has much finer floral patterns on five surfaces, embroidered using dyed grasses(?).

Ink and pencil crayon drawing with a pencil border along all edges; done on off-white rectangular paper, in horizontal orientation. Design consists of a grandmother's hand, extending from the top right corner, holding an ulu; done in dark brown. Behind the ulu is a large lollipop, with the stick pointed towards the bottom right corner of the drawing; candy has groupings of blue, yellow, green, and red stripes throughout. West Baffin Eskimo Cooperative logo embossed in bottom right corner, within pencil border. Title(?) and signature(?) written along bottom edge of drawing, outside of border, in dark brown ink. Number inscriptions and measurements written in pencil, along bottom edge on back.