Stonecut and stencil print. Central frontal figure with a circular yellow head that has three black and white heads within, one frontal with an outward facing profile at either side. Radiating from the outside of the head, there are the following from left to right: a downward facing human, an outward facing profile human head with a long neck, an outward facing bird head with a long neck that has an outward facing profile human head on top, an outward facing caribou head with a long neck that has a dog on top; two central inward facing yellow dog heads with long necks that have inward facing profile human heads beneath and within their neck curvature; an outward facing caribou head with a long neck, an outward facing bird head with a long neck, an outward facing profile human head with a long neck, and a downward facing human. The background is red with blue areas around the bottom. In the lower right corner is the Baker Lake symbol (small yellow image of a right pointing arrow emerging from a bulge) pointing to pencilled syllabic. Pencil inscription across the bottom edge on the back reads 'I am Always Thinking About the Animals 22/50 1973 Tookoome'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper mounted with off-white matboard and framed.

Green felt wall hanging with multicoloured felt appliqué figures, both human and animal. Figures are arranged in a complicated pattern with distinguishable hunting imagery covering the entire hanging. A band of green fabric is sewn along the upper edge on the back for hanging.

Rectangular wool duffle and felt wall hanging depicting two men standing beneath a large cross. Light blue felt appliqué figures stitched onto a dark blue ground. Cross is dark blue felt covered in rows of alternating yellow, white and red embroidery knots. Syllabic inscription across the top in yellow thread. Syllabic "signature" in bottom left corner in white thread. Rolled edges with blue and yellow whipstitching along the sides and bottom. Top edge is folded over and sewn to create a loop for hanging.

Seven large black and white human heads. From the top right clockwise there are the following arrangements: a black and white wolf head and human head; a black and white bird head and a human head with a brown hood; a frontal human face with three human figure within the lower portion and two dogs within the upper portion; two horizontal profile human heads facing each other with a wolf in between; and a cirlce that hat two upside down profile human heads facing each other. Backgrounds include light blue, blue, purple, orange, and black. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Hunger 34/45 1983 S. Tookoome M. Ukpatiku'. In the lower right corner, there is an embossing similar to the small yellow image. The print is on a horizontally rectangular, white paper piece. Stonecut, stencil print.

A black and white image of a human figure at the centre of other human figures reaching toward it and touching hands. Three human figures around the lower left side are touching hands with the central human figure who has two other human figures on top of his head extending outward with the upper right on reaching out to another human figure below. There is also a seal-like creature, a bird, and two dogs. Another human figure and a caribou ? are on the clothing of two figures. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'At the Centre 28/39 71 Tookoome'. In the lower right corner, there is a circular embossing. The print is on a horizontally rectangular, brown paper piece.

Main figure is bending over to the left side with an animal-like fae that has yellow eyes with red features. The body is long and curving and is striped brown, yellow, orange, and white. A white and yellow fish is in the main figure's mouth. A profile human face is at either side of the upper portion of the arm dangling down holding a fishing line with a profile animal at either side of the lower portion of the same arm. Another white and yellow fish is at the bottom centre next to the dangling fishing line. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'The Pleasures of Eating Fish 14/50 1970 Tookoome'. In the lower right corner, there is a circular embossing. The print is on a horizontally rectangular, white paper piece.

Drawing of people with a yellow-green tent on the left side and a brown tent on the right side. In the upper left corner, there is a brown dog with a yellow leash and in the top centre, there is a grey caribou, both animals of which are facing to the right side. In front of the yellow-green tent, there are three people outlined in pencil with red and green trim on their clothing. Inside the brown tent, there are three people outlined in pencil with green and yellow trim on their clothing while a child is sleeping between them. The background is multi-coloured. In pencil, in the upper left corner, are syllabics. The drawing is on horizontally rectangular white paper hinged to green matboard.

A print with two hunters in a horizontal position. One hunter has a spear and is wearing blue and orange clothing while the other hunter has a bow and arrow and is wearing brown, green, and orange clothing. Above the hunters, there is a host of seven brown caribou walking over a hill to the right side. The hill is has a thick black outline with blue u forms below. Stamped with the names of artist and printmaker in Inuit syllabics in monogram form with Baker Lake stylized yellow cross and bow in lower right corner. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'A host of caribou A/P III/V Oonark Ukpatiku 1976'. The print is on horizontally rectangular white paper.

Three human figures surrounded by a thin red arch shape with animals all around. The top left human ahs a bow and an arrow, the top right human has a bow, and the bottom left human has an arrow. The humans are wearing brown, blue, red, and black clothing. From left to right, the animals are the following colours: black, blue, black, brown, yellow, red, and yellow. In the lower right corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Hunting with bow and spear Oonark, Noah 8/49 1975'. In the lower right corner, there is a circular embossing. The print is on horizontally rectangular white paper.

Black and white image of a central human-like figure bending over with a bird-like head and neck. On top of the neck, there is a bird-like figure with upswept wings and human-like feet. Below, there is another bird-like figure with wings tucked into the body and human-like feet. In the middle left side, there are two plants. All figures are facing to the left side. In the lower left corner, there is a small yellow image of a right pointing arrow emerging from a bulge pointing to pencilled syllabic. Pencil inscription across the bottom edge reads 'Keeveok's Family 42/50 1970 Mummookshoarhuk, Mary Pootook'. In the lower right corner, there is a circular embossing. The print is on vertically rectangular beige paper.