Tall carved staff, with a kneeling, nude, male figure atop a large pedestal, of almost equal height, at the bottom. The figure holds a long-barreled firearm across the front of his body, and an infant on his back. He has a round head with round protruding features, and a long hairstyle that extends down his behind him and is decorated with calabash(?). On the side of each leg is a knife. The pedestal is somewhat cylindrical at the top, before expanding and tapering three times towards the bottom. The top of the pedestal is wrapped by snakes, and two lizards flank the sides.

Large staff built on a wood armature with an iron blade (part a) and phallic handle (part b) with loose coiled metal (part c). The wooden hilt is studded, wrapped in iron with iron cap. The blade tapers in towards the tip. Towards the top there is a small square cutout with a cross etched on each side. Above and below, the thin area is wrapped in iron. The blade itself is also etched with various designs, however the metal is rusted.

Staff or dance wand. Wooden carving depicting a male figure standing next to a sacrificial ram. The figure holds a double axe in his right hand. His elongated head sits at an angle on his short neck. He has large almond eyes, and six horizontal lines on each cheek. Extending up from his head is a large ornate double axe-shaped headdress that curves down to points on each side. The figures stand on a square platform with carved diagonal lines around the sides and a plain cylindrical handle beneath.

Headdress carved from a single piece of wood. The wood has been stained black, with the carved areas revealing a light brown. The base is dome-shaped, and is carved with rows of zigzags around the exterior. A high arched crest extends from the top, slightly extending beyond the dome, with a cutout upside-down V-shape, leaving a triangle underneath. The crest is decorated with carved geometric designs: repeating V's, lines, triangles, crosshatching and X's.

Carved door panel made of two wooden rectangular panels, held together by three horizontal wooden boards nailed to their backs. Right side of left panel is jagged, it extends slightly over the right panel. Left panel has spindle extending from bottom left corner. Top left corner of left panel has round extension. Left panel has carving of large male figure with his hands upraised, holding ceremonial pots in each hand. Below him are four figures, in two rows of two, facing inward and carrying staffs. Right panel has carving of large female figure with her hands upraised, holding ceremonial pots in each hand. On her left there is a small figure holding a curved object. On her right there is a small figure with characteristics of the deity Eshu-thumb in mouth and phallic hairstyle. Below the large female there are five figures, two rows with three above two, facing inward and holding offering pots. Three of the five figures have the deity Eshu's hairstyle. Between the two figures on the bottom is a carving of a divination tray, known as Ifa. Tray is circular, made of cross-hatched lines. All designs carved in high relief. There is a small square cut out on the right panel between two figures holding offering pots. Nails securing boards on back are visible from front. Three nails for each board. The nails in the centre are straight, the nails on either side are bent over, to lie flat against the panels. Additional nail along right edge of right panel, bent to lie flat.

Wooden mask. Face is painted white, with three repeating blue diamonds on each cheek and across the forehead. The mask has large lips, raised nose, and protruding eyes, with holes drilled through the pupils, and areas cut out underneath both eyes. Long ears extend up each side of the head. The figure has a cone-shaped hat with repeating triangles in blue or white, and a collar extending out from below the chin with white and dark blue vertical stripes.

Carved female figure seated on remains of a chair. Figure sits upright, right arm bent at elbow, holding a palm nut container with a horizontal line carved around the middle. Stool is short and round with slats at the back and the remains of a backrest on the protruding buttocks. Long round neck decorated with raised necklace. Head is narrow with small wide lips, flat nose, and ears flattened against head. Eyes are open with carved pupils and darkened irises, with three lines carved under each eye. Tall thin headdress forms an arch on top of head. Vertical bars meet a centre band spanning the length of headdress. Horizontal bands are carved into scalp with a vertical band connecting to headdress.

Standing female figure (ibeji) on square base. Female stands upright with arms connected to waist. Round eyes are closed with 3 pointed lines carved under each. Ears are flat against the head. Fibre loops strung with small oval shells are tied around each arm. Stylized triangles are carved into the chest and lower back. Breasts form rounded points. Headdress is short with a ridge extending around the head. Raised vertical lines connect to the middle of the ridge to form a flat triangle. Horizontal lines circle all parts of the headdress with traces of blue pigment remaining in the crevices.

Standing female figure (ibeji) on flat base. Female stands upright, arms curved to connect with thighs. Long fingers carved into hands. Thin rounded stomach under pointed breasts. Stylized face is round with wide lips, flat nose, and 3 thin lines on each cheek. Eyes are open with round pupils and dark irises. Ears stick out from head. Thin headdress carved with ripple pattern curves around back and narrows before flaring out at neck. Top band connects to vertical bands carved with same pattern. Traces of blue pigment on eyes and headdress. Feet have faint imprint of long toes.

Standing male figure (ibeji) on square base. Wide shouldered male figure stands upright, arms curved to connect with the hips, protruding phallus. Face is stylized and intricately carved, with angular ridged nose, large eyes with carved decoration across centre, three groves down each cheek, and ears that connect with the neck. Headdress is tall, consisting of several joined V shapes that meet at top centre, connecting with a round piece, pointed at bottom, circular and carved at top.