FROM CARD: "ILLUS. IN THE FAR NORTH CATALOG, NAT. GALL. OF AR., 1973, P. 164. LOAN: R. H. LOWIE MUSEUM, DEC. 31, 1964. LOAN RETURNED FEB 15 1966." FROM CARD: "CARVED IN RELIEF WITH HUMAN FIGURE, SMALL ANIMALS AND ABSTRACT DESIGNS. ILLUS. IN THE FAR NORTH CATALOG, NAT. GALL. OF ART., 1973, P. 164. LOANED, WHITNEY MUS. OF AMERICAN ART, SEPT. 10, 1971. RETURNED: 2-9-72. LOANED: NATIONAL GALLERY OF ART OCT. 20, 1972. RETURNED: 5-29-73. LOANED: RENWICK GAL. 11-7-73. LOAN RETURNED 8-24-76." FROM CARD: "FROM PAGE 61, BOXES AND BOWLS CATALOG; RENWICK GALLERY; SMITHSONIAN PRESS; 1974. OBJECTS ILLUS. ON SAME PAGE. 44. CARVED BOWL HORN; CARVED IN RELIEF LENGTH: 8 3/4 (TSIMSHIAN?), FORT SIMPSON, BRITISH COLUMBIA. COLLECTED BY JAMES G. SWAN. CATALOGED JANUARY 17, 1876. 20,613."This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=522, retrieved 4-24-2012: Bowl, Tsimshian. A frog and naked man appear at one end of this high-end feast bowl, which was molded and carved from the horn of a mountain sheep. The face of a crest animal was rendered on the other end, along with a second frog. Wing designs extend along the sides of the vessel. Hunting wild sheep and goats in the high coastal mountains was a dangerous pursuit; hunters ascended steep slopes and glaciers in spiked snowshoes, using dogs to drive the animals into bow and arrow range. "This is a very well done bowl, but it is from Port Simpson, where Tsimshian, Haida, and Tlingit people were all living. We may never know exactly which tribe the carver came from. The Haida had to trade with our people to get weaving materials and the horns for making bowls and spoons." - David Boxley (Tsimshian), 2009

FROM CARD: "REPAIRED AND PARTIALLY RESTORED IN 1969. THE PREPONDERANCE OF EVIDENCE AVAILABLE AT THIS TIME SUGGESTS THAT THIS IS THE CORRECT SPECIMEN FOR THIS CAT.#. OLD PHOTOS OF THE PHILA. EXPO. OF 1876 [Centennial Exposition] SHOW THIS HOUSE MODEL W/ENTRANCE POLE AND CEDAR BARK ROOF ON DISPLAY. TYPOLOGICALLY THIS HOUSE SEEMS MORE HAIDA LIKE AND ESPECIALLY WHEN CONSIDERING THE ENTRANCE POLE. INDIVIDUAL PARTS LETTERED A-F. 6/11/69 GP." PHOTO NEG. #6251 IS PHOTO OF TOTEM POLE MODEL ONLY. ON BACK OF TOTEM POLE MODEL/HOUSE FRONTAL POLE IS COLLECTOR'S PENCILLED DESCRIPTION WHICH APPEARS TO SAY: "LOWER FIGURE WASKO WOLF WITH YOUNG WOLF IN ITS MOUTH. 4 HUMAN FIGURES DOCTOR'S GUARDIAN IMAGES. UPPER FIGURE HOORTS - BEAR AND SUMMATION IS THE KOOT OR FISH EAGLE" - F. PICKERING 6-29-1999Per Robin Wright, Burke Museum, University of Washington, 4-12-2012, the house model is probably Tsimshian, based on the painting. In 2018, Robin Wright added: The model house does indeed look to be Tsimshian in style. But now that I'm looking closely at the pole that is associated with this number, the pole does not look Tsimshian, and in fact looks to be another version of the Haida flood pole. It is based on one of the 3 Haida flood poles, It depicts the story of the flood with a stack of hat rings. Raven rescued the village during a flood by pulling up on the chief's hat rings making it grow tall enough for the people to climb up out of the flood waters.A photo of what appears to be this house model on display at the Smithsonian circa 1879 (photo may actually date more specifically to 1882 - early 1885) is in the collections of the Smithsonian Institution Archives: Photo ID 2962 or MNH-2962, Smithsonian Institution Archives, Record Unit 95, Box 41, Folder: 4, https://siarchives.si.edu/collections/siris_sic_8263 . House model is on back left of photo in front of house front.This house model is visible (on right side on top of cabinet) on display in a photograph taken at the Centennial Exposition of 1876 in Philadelphia. Interior view, Department of the Interior exhibits in the United States Government Building, featuring archeological and anthropological artifacts, prepared by Bureau of Indian Affairs and Smithsonian Institution. Smithsonian Institution Archives, Record Unit 95, Box 64, Folder 01, Image No. SIA_000095_B64_F01_029. https://siarchives.si.edu/collections/siris_arc_400427 .

Bone carved to represent a whale and decorated with abalone inlay and incised formline designs.This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact, listed as number E9813B, http://www.alaska.si.edu/record.asp?id=508, retrieved 4-24-2012: Amulet, Tsimshian. A shaman's amulets represented the guardian spirits that aided his work. Like his wooden rattles, crown of bear claws, dance apron, and red ocher face paint, bone and stone amulets were essential to his practice. This beautifully carved example represents a killer whale; its tail is a long-beaked bird.

Originally catalogued as Tsimshian, but accession record identifies this object as "Haidah", i.e. Haida. The entry reads: "1 Haidah cane. Hand holding fish." E20905 is the only cane catalogued in this accession.

FROM CARD: "...WHALE EFFIGY SET WITH ABALONE.=NISHGA (NISGA'A). WHALE EFFIGY: LOANED: 4/18/1967 VANCOUVER ART GALLERY. RETURNED: 12/12/1967. LOANED: NATL. INSTIT. OF HEALTH 5/1/71. RETURNED: 11/9/71. LOANED: WHITNEY MUSEUM OF AMERICAN ART 9/10/1971. RETURNED: 2/9/72. LOANED TO THE S.I. CENTENNIAL COMM. 7-9-75. LOAN RETURNED MAR 22 1990. LOAN: CROSSROADS. SEP 22 1988. ILLUS. CROSSROADS OF CONTINENTS CATALOGUE; FIG. 374, P.273. LOAN RETURNED: JAN 21 1993." "Amulet depicting a sea creature, probably a whale" according to Crossroads of Continents, illus. Pl. 231, p. 269. "Killer whale amulet made from walrus ivory."Described p. 302 in Barbeau, Charles Marius. 1953. Haida myths illustrated in argillite carvings. [Ottawa]: Dept. of Resources and Development, National Parks Branch, National Museum of Canada. Identified as bone carving with abalone shell inlays, representing the Killer-Whale with Gunarhnesemgyet on his head.This object is on loan to the Anchorage Museum at Rasmuson Center, from 2010 through 2027.Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact, listed as number E9813A, http://www.alaska.si.edu/record.asp?id=507 retrieved 4-24-2012: Amulet, Tsimshian. The amulet portrays the story of Gunarhnesemgyet, whose wife is abducted by a white killer whale. As the whale speeds away from the village she shouts, "My people, come for me!" Gunarhnesemgyet follows in his canoe and eventually rescues her from the whale with the help of cormorants and the whale's servant, Gitsaedzan.