Round, polycrome bowl which constricts steeply in lower third to 8cm. Flat orange base. Brown/black line decoration on cream slip on outer surface. Inner surface red/brown. Thick lines divide outer surface into 6 main sections, these lines zigzag to 't' shape at centres of 4 sections, other 2 sections have rows of triangles, top and bottom. Thinner lines run parallel to thicker lines and thinner form various shapes, some with crosses or lines at centre. Brown/black line at rim. Resin coated, chipped at rim.

Round, polycrome bowl which constricts to rounded, 8-12 cm. Unpainted, light brown/yellow base, inside no slip, rubbed and decorated with white/yellow lines which run straight and then zigzag for a short distance and run straight at 90 degrees or at other angles. Central zigzag is surrounded by a rectangle with 4 rectangular appendages. Other lines to edges and divide other space. 2 diamond shapes opposite with zigzag or twisted strand like line to edge. Outer orange, rubbed surface has 2 thick white/yellow v-shaped lines near base which are surrounded by thick lines which zigzag. Between these are v-shapes from rim with thick lines running parallel with triangles, jogs and 'twisted' zigzag areas. Thin lines run parallel and across in spaces between all. Smudged slip/paint on base, 5cm. crack at centre bottom, inside. Few pits inside and chipped along rim. Major scrape on outside 1x 3 cm.

Polychrome effigy jar with flared lip, bulbous at top of neck, the rest of the neck slopes slightly, then sharply flares to shoulder and constricts sharply to flat 18 cm. base. Modelled face on neck with protruding ears, nose and chin. Slits at eyes and mouth. Rectilinear dark brown and orange on light yellow/brown design from neck to shoulder. Thick dark brown lines mark off areas in straight and stepped lines and zigzag connections. Some orange lines and fine dark brown lines infill spaces. Occasional x's on these lines. Orange diamond below face, brown zigzag at forehead. Orange for bottom half and at inside rim. Black and light brown patches around bottom. Plain inside. Resin coated inside and out. Scrapes and chips at shoulder. Dirt accretions and checked patches. Paint chipped on face.

Polychrome effigy jar with flared lip, slightly sloping neck, then sharp slope to shoulder, constricting sharply from shoulder to 18 cm. flat base. Two modelled faces oppose on neck, ears, nose and chin which jut out. Slit for eyes and mouth. Dark brown and orange/brown rectilinear motif on light yellow/brown, on faces and to shoulder between. Main design feature is thick outlined (dark brown) cross shaped boxes with crosses and other lines inside and out. Below faces are light yellow/brown painted torsos with 4 fingered hands, outlined in dark brown on dark orange ground. Zig-zag edge between arms and torso with triangles on line outside arms. Below shoulders is solid rubbed dark orange with black, carbonized areas. Outside rim is dark brown, inside jar is dark orange for half neck, unpainted for remainder. Resin coating outside and partially inside. Scrape across one hand. Some chips at rim, checking at shoulder.

Rectangular bag made of beige cloth with three bands of warp striping (brown, yellow and orange); sewn along the edges. Both sides are painted black and brown with geometric designs. Sewn to the corners of the slit opening is a black, red and cream woven strap.

Square bag made of beige cloth with bands of warp striping in black, yellow and red; sewn along the edges. Both sides are painted black and brown with geometric designs. Sewn to the corners of the slit opening is a red, cream, black and red woven strap.

Near spherical pot with flat base, flattened top, and a raised central ridge around the circumference. Opening with lip extends from ridge at one side; a very worn shoelace is tied through a small hole in the lip. The lower half of the pot is red, the ridge is brown, and the upper half is tan with black and brown rectilinear design; designs are in mirror image, projected around the central band, running parallel to and extending from the lip.

A double layer of padding in blue checkered cotton fabric is tied to a flat rectangular piece of wood with an incised pattern on the exposed surface. A short band of blue floral material is sewn on to the cover of the top pad. A cord is wrapped around the ends of the pad, hooked into notches in the board. The incised pattern is very faint, the cuts are very shallow; the pattern is rough, rectangular in in shape, without regularity.

Rectangular beige fabric with thick black rectilinear designs and thin lines inside, cross and square motifs. Ends unfinished. The patterns are split into quadrants, divided by coloured solid lines in red and purple, outlined in black. The largest quadrant is a rectangular panel the length of the piece. A wide central panel above it is flanked by two smaller panels. The lengthwise edges have painted bands of yellow, red, green, and brown, and the ends have solid brown stripes. The patterns is each quadrant are different in design, motif, and scale.

Wooden tool of oval face with rounded handle. Small decoration at shoulder of handle. Flat face with many metal spikes driven into it.