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Small beaded band with white, blue and red geometric design . It has a green banded edge with short beaded fringe.
Anonymous gift in memory of Dr. Harlow Brooks
Shirt style jacket with a beaded pocket and cuffs. This might not have been made by Native artist as has no stylistic attributes. The beadwork around cuff and pocket do not match.
Doll with horsehair braids decorated with blue and white streamers. Buckskin dress with a green, white, blue, and red belt with buckskin boots. Lovely big feet where the beadworker probably used left over beads as they are many colors. She wears long, dangling beaded earings.
Fragment, missing the ends. Was woven as a headband.Might not be Plains but Woodlands.
Gift of Sasha Nyary and Family
Probably Apache because of the use of the black beads. Some pieces of cotton thread in the back. Could be a paint bag.
The Jarvis Collection
Many of the articles in this case (and the adjacent clothing case), some of the earliest and finest Eastern Plains pieces in existence, were collected by Dr. Nathan Sturges Jarvis, a military surgeon stationed at Fort Snelling, Minnesota, between 1833 and 1836. Most items were made by the Eastern and Middle Dakota (Sioux) or by the peoples of the Red River region, including the Red River Métis, Anishinabe, Plains Cree, and Salteaux. Some of the objects were purchased by Jarvis, and some may have been given to him in exchange for his medical services.
These works demonstrate indigenous ingenuity in combining trade materials such as cloth, metal, and glass beads with traditional hides, pipestone, and porcupine and bird quills. For comparison, a few examples collected later by Nathan Jarvis, Jr., during his army service in the Western Territories among the Apache and other Plains peoples are also included. These items clearly show the later indigenous preference for multicolored glass trade beads.
Bequest of W.S. Morton Mead
These might be northern Cheyenne as the extra tall ankle pieces may be a version used by a northern artist. These baby’s moccasins have the tipi door design but there is no extra beaded strip across the vamp and heel that would usually be found on Cheyenne moccasins. The pointed toe is also an earlier fashion of northern Cheyenne but they could also be Northern Arapaho. They have parfleche bottoms as remants of the painted design remain. Quite a lot of the green fringe cloth is missing from around the ankle.