From card: "Procured between the years 1850 - 1860. One piece of tanned skin sewed with sinew at center front and back. Lighter piece of white deerskin with floral design in green, red, and pink yarn. Colored quilled plaiting in two colors at border of top piece."Clothing set E328766, E328767, and E328768 is illus. Fig. 8, p. 53 in Thompson, Judy, 1999, "Marketing Tradition: Late Nineteenth-Century Gwich'in Clothing Ensembles," American Indian Art Magazine, 24(4). Identified there as Gwichi'in type. Because E328769 is identified as part of this clothing set as well on cards for E328766 - 8, it has also been listed as possibly Gwich'in.

IDENTIFIED AS KUTCHIN TYPE BY JUDY THOMPSON, WESTERN SUBARCTIC CURATOR AT THE CANADIAN MUSEUM OF CIVILIZATION, 1999. FROM CARD: "COVERS ENTIRE HEAD EXCEPT FACE; SOFT TEXTURE; QUILLED BAND DESIGNS. BUCKSKIN FRINGED WITH QUILLED WRAPPINGS. SEED ORNAMENTS ATTACHED TO FRINGE; WHITE COLOR. ILLUS. IN THE FAR NORTH CATALOG, NAT. GALL. OF ART, 1973, P. 149 [attributed as Kutchin in publication]. PART OF COSTUME CAT. NOS. 328766-9." MATERIALS: WHITE CARIBOU HIDE, PORCUPINE QUILLS, SILVER WILLOW SEEDS, SINEW.Clothing set E328766, E328767, and E328768 is illus. Fig. 8, p. 53 in Thompson, Judy, 1999, "Marketing Tradition: Late Nineteenth-Century Gwich'in Clothing Ensembles," American Indian Art Magazine, 24(4). Identified there: "Clothing ensemble comprised of a tunic, moccasin-trousers and hood, Gwich'in type. White caribou hide, porcupine quills, sinew and silver willow seeds. Collected by Bernard Ross, 1860. The breast band and front above the breast band are decorated with bands of loom-woven quillwork; the wrists of the tunic and the moccasin-trousers and hood are decorated with folded quills ...."

FROM CARD: "7470-1. 7471-L. 33", GREATEST BREADTH 9".Source of the information below: Inuvialuit Pitqusiit Inuuniarutait: Inuvialuit Living History, The MacFarlane Collection website, by the Inuvialuit Cultural Resource Centre (ICRC), Inuvik, N.W.T., Canada (website credits here http://www.inuvialuitlivinghistory.ca/posts/12 ), entry on this artifact http://www.inuvialuitlivinghistory.ca/items/185 , retrieved 1-31-2020: These long, teardrop-shaped snowshoes are rounded and upturned at the front ('toe') and pointed at the tail. The frame of each is made from wood, probably willow, joined at the at the tail by a thong and at the toe by a splice that is wrapped with a thong. The sides of the frame are braced apart with three wood cross-bars mortised into the frame. The space for the foot between the foremost bar and the next one back is netted using hide thongs. Fore and aft of those bars is finer and more closely spaced meshing made with thinner thongs, or 'babiche'. Additional thongs attached at the centreline hold sets of three red and blue beads. At several points those thongs and adjacent sections of the netting have been stained with red ochre. More information here: http://www.inuvialuitlivinghistory.ca/item_types/65: MacFarlane collected two pairs of snowshoes. They are strikingly similar to snowshoes used by Gwich'in, and may have been copied or traded by the Inuvialuit.

FROM CARD: "DOUBLE ENTRY UNDER CAT. #598."

FROM CARD: "1855 & 1856 ILLUS.: FIG. 2.22, PP. 46 + 47 IN NORTHERN ATHAPASKAN ART BY KATE DUNCAN, UNIV. OF WASHINGTON PRESS, 1989. IDENTIFIED THERE AS SUMMER TUNIC AND MOCCASIN TROUSERS, LOUCHEUX, CARIBOU HIDE, RED AND WHITE OPAQUE BUGLE BEADS SEWN WITH SINEW, RED OCHRE."

FROM CARD: "*DOUBLE ENTRY UNDER CAT. #571. SMALL-. ROUND FRAME; ROUND TOE; SLIGHTLY CURVED UP; LONG, BROAD HEEL, TERMINATING IN SHORT, SHARP POINT. TOE AND HEEL NETTING CLOSE & FINE, OF LINE CUT FROM PREPARED DEERSKINS, CALLED BABICHE; FOOT NETTING COARSER AND MORE OPEN. PAINTED & ORNAMENTED WITH BEADS."Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=7, retrieved 8-24-2012: Snowshoes, Gwich'in Athabascan. From discussion with Phillip Arrow, Trimble Gilbert, Eliza Jones and Judy Woods at the National Museum of Natural History and National Museum of the American Indian, 5/17/2004-5/21/2004. Also participating: Aron Crowell (NMNH), Kate Duncan (Arizona State University) and Suzi Jones (AMHA). Trimble Gilbert, Gwich'in, and Eliza Jones, Koyukon, identify these as hunting or walking snowshoes.

IDENTIFIED AS KUTCHIN TYPE BY JUDY THOMPSON, WESTERN SUBARCTIC CURATOR AT THE CANADIAN MUSEUM OF CIVILIZATION, 1999. FROM CARD: "QUILLED ORNAMENTAL BANDS AT SIDES; SINEW SEWN. WHITE COLOR. ILLUS. IN THE FAR NORTH CATALOG, NAT. GALL. OF ART, 1973, P. 149 [attributed as Kutchin in publication]. PART OF COSTUME, CAT. NOS. 328766-9." MATERIALS: WHITE CARIBOU HIDE, PORCUPINE QUILLS, SINEW.Clothing set E328766, E328767, and E328768 is illus. Fig. 8, p. 53 in Thompson, Judy, 1999, "Marketing Tradition: Late Nineteenth-Century Gwich'in Clothing Ensembles," American Indian Art Magazine, 24(4). Identified there: "Clothing ensemble comprised of a tunic, moccasin-trousers and hood, Gwich'in type. White caribou hide, porcupine quills, sinew and silver willow seeds. Collected by Bernard Ross, 1860. The breast band and front above the breast band are decorated with bands of loom-woven quillwork; the wrists of the tunic and the moccasin-trousers adn hood are decorated with folded quills ...."

FROM CARD: "INVENTORIED 1977."Source of the information below: Inuvialuit Pitqusiit Inuuniarutait: Inuvialuit Living History, The MacFarlane Collection website, by the Inuvialuit Cultural Resource Centre (ICRC), Inuvik, N.W.T., Canada (website credits here http://www.inuvialuitlivinghistory.ca/posts/12 ), entry on this artifact http://www.inuvialuitlivinghistory.ca/items/120 , retrieved 2-11-2020: A pouch and strap, probably for holding a knife. The tapered pouch is extensively decorated with trade beads and has a beaded fringe. The long strap is made with six strands of strung beads reinforced with strips of hide. The beads are blue, black and white, with the exception of three red beads in the strap, which may be the result of a repair. This knife pouch is most likely of Dene origin. MacFarlane may have obtained it from one of the Gwich'in Dene who were employed by the Hudson's Bay Company, or it may have come from an Inuvialuk who had it obtained it from a Gwich'in source.

FROM CARD: "*DOUBLE ENTRY UNDER CAT. #572."Source of the information below: Smithsonian Arctic Studies Center Alaska Native Collections: Sharing Knowledge website, by Aron Crowell, entry on this artifact http://alaska.si.edu/record.asp?id=8, retrieved 8-26-2012: Mittens, Gwich'in Athabascan. From discussion with Phillip Arrow, Trimble Gilbert, Eliza Jones and Judy Woods at the National Museum of Natural History and National Museum of the American Indian, 5/17/2004-5/21/2004. Also participating: Aron Crowell (NMNH), Kate Duncan (Arizona State University) and Suzi Jones (AMHA). Eliza Jones, Koyukon, identifies the mittens as caribou or moosehide; fringed with caribou skin; fringe partly wrapped with quills; decorated with ocher on the cuffs and seams. She and Trimble Gilbert, Gwich'in, note that the mittens are unlined, and that the bead and fringes are not practical for working, so that these are probably dance mittens.

FROM CARD: "1855 & 1856 ILLUS.: FIG. 2.22, PP. 46 + 47 IN NORTHERN ATHAPASKAN ART BY KATE DUNCAN, UNIV. OF WASHINGTON PRESS, 1989. IDENTIFIED THERE AS SUMMER TUNIC AND MOCCASIN TROUSERS, LOUCHEUX, CARIBOU HIDE, RED AND WHITE OPAQUE BUGLE BEADS SEWN WITH SINEW, RED OCHRE."