Human figure on hands and knees, carved of bone. The figure holds its head up showing its carved facial features. The face is rounded with defined cheeks, large downturned mouth, with circular holes for eyes and centre of mouth.

Seal skin applique wall hanging; done in horizontal orientation. Hanging consists of a central design, wide border, and fur fringe along outer edges; border decorated with scallops. Central design is of two scenes, one on top of the other; scenes are of a person dog sledding away from an igloo and then returning. Person is wearing a hooded parka, long pants, and has a whip. When leaving, in the upper scene, the person is holding the whip over their head; they are using it, fully extended, in the lower scene. Small inscription on back of hanging: #3.

Portfolio, consisting of a special edition hard cover folder (part a) and a title page (part b), as well as a lithograph portrait of each artist (parts c, j), and twelve prints (parts d-i, and k-p), six by each artist. Folder is light grey with central design of a large ulu, done in dark grey spots and curvilinear lines. Title is written along top edge, and Holman Eskimo-Cooperative logo, consisting of an ulu with "HOLMAN" written through the centre, along bottom edge. There are metal grommets along the right side. Attached to back cover, inside, is a gloss paper folder for holding loose pages. The title page (part b) is done on gloss paper and has acknowledgements, in English, Inuktut, and French, and edition number, 14/55. "KALVAK/EMERAK" and Holman Eskimo Co-Operative logo done in orange-red, all other text done in dark grey. All internal prints/pages are loose, not bound.

Stone carving of a hunter flensing a seal, on an irregularly-shaped base with circular opening in between hunter's legs. Male figure is lying on side with upper body twisted to face backward, left knee bent against ground, and right knee elevated with leg angled away from body. He has oval-shaped eyes, a wide nose, pronounced cheeks, thin mouth, and short hair; features done in relief and incised. Hunter is wearing a coat with the hood down, and long pants tucked into tall boots. Seal body is on stomach with head bent over back, next to hunter's upper body; hunter is cutting open the seal with flensing knife in his right hand, and holding its right fore flipper in his left. Numerical inscription and 'Eskimo art' tag on base.

Stone carving of a kneeling figure. Figure's body is forward facing; head turned to the right. Semi-circular eyes and straight mouth with pouting lip carved into centre of head; wide nose done in relief. Lines incised along top of head, imitating hair; hair-like protrusion is gathered into bun at base of neck. Arm-like protrusions on either side of body; right arm rests flush against body with hand resting on knee, left arm-like protrusion is held against the figure's chest. Deep line carved along entire bottom edge of figure. Label with artist name attached to base.

Bear carving done in dark grey-black stone. Bear has short ears, circular eyes, and long thin snout; standing on four legs. Front legs have rounded sides and are spread apart; hind legs are close together and rectangle-like. Hind legs are shorter than front, giving bear a crouching appearance. Artist signature in syllabics inscribed on belly.

Male doll, in standing position, wearing an RCMP uniform consisting of a coat, tunic, pants, tall boots, mittens, and hat. Eyes, eyebrows, and mouth are embroidered in dark brown on a skin face; nose done in relief, with fur moustache. Coat is dark blue with a wide yellow band around the bottom opening; white fur collar, brown-grey fur trim on cuffs, and RCMP patches on the shoulders. Doll's pants match and have yellow stripes down the sides. Upper sections and vamps of boots are white fabric; soles consist of naturally coloured skin. Openings of boots are decorated with dark blue bands and braided ties, done in dark blue and yellow; leather ties around ankles, to secure boots. Woven tunic underneath jacket is white, with a blue band bordering the bottom edge. Figure is wearing naturally coloured mittens that are attached with blue and yellow braided ties; ties are decorated with fringe and loop around the doll's neck. Orange-grey fur hat matches trim on cuffs of doll's jacket.

Stone carving of an otter on an irregularly-shaped base, with a raised front. Otter's body is oriented towards right side of base, with its head turned forward; tail hangs over left side of base. The head extends over base edge and has incised ears, oval-shaped eyes, and nostrils; mouth is carved open and in a frown. Otter's front left paw is caught in a leg-hold trap towards front left edge of base; trap consists of two rings attached to a circular weight. Name and disc number inscribed across base.

Stone carving of a mother and baby. Figure has carved oval-shaped eyes and a smiling mouth; square-shaped nose done in relief. Lines along sides of face and across top of head imitate hair. Woman is wearing a hooded parka with a large pouch on the back for the baby; parka has long front and back flaps that extend past the waist line. Baby is wrapped in mother's arms, held flat against her chest. Date made and additional inscription, S-1923, carved across base.

Large stone carving of a mother and child, on an irregularly-shaped base. Mother has oval-shaped eyes, rounded cheeks, wide nose, and pursed lips; all done in relief. Ears are flush against head, and hair is pulled into an intricate braid that wraps around the back of her head. She is bent over a pot, resting on top of a ring of stones, and holding a seal skin. Woman is wearing a long parka, with flaps along the front and back, and pants tucked into tall boots. Parka has a large pouch on back that child is sitting in. Baby has oval-shaped eyes, wide nose, flat mouth, and is wearing a hooded jacket. Date made, syllabics, and additional numbers carved across base of carving; 'Eskimo art' tag and green pads adhered to base.