Rectangular wood panel with a painting of two salmons. Large knot in the wood at the side (entire edge has been left unfinished). There are eye hooks on the back of the panel. Each salmon is placed in an approximately vertical position with one 'swimming' upward while the other is 'swimming' downward, each being head to tail and 'swimming' counter-clock-wise. Design is done in red and black. In red, at the lower left corner, the signature reads 'Lyle Wilson'.

Spoon carved from one piece of mountain goat horn with an elongated dish and a curved handle that has a hole drilled near the tip.

Six black bird-like creatures. Five are above the red line and one is on the red line in the centre near the bottom. The five bird-like creatures are in a formation consisting of three on the left side and two on the right side. The two top left side ones are facing to the right side while the one below is facing to the left side. The top right side one is facing to the left side while the bottom one is facing to the right side. The one on the red line is facing to the left side. Across the bottom, there are words reading 'AIESEC - VANCOUVER / 1982'. Above the 'ER' in 'VANCOUVER', there are the words reading 'Weegit and the Tricksters / Lyle Wilson c 1980 / Printed in Canada / By Evergreen Press Ltd.'. The poster is on a vertically rectangular, light yellow paper piece.

Six black bird-like creatures. Five are above the red line and one is on the red line in the centre near the bottom. The five bird-like creatures are in a formation consisting of three on the left side and two on the right side. The two top left side ones are facing to the right side while the one below is facing to the left side. The top right side one is facing to the left side while the bottom one is facing to the right side. The one on the red line is facing to the left side. Across the bottom, there are words reading 'AIESEC - VANCOUVER / 1982'. Above the 'ER' in 'VANCOUVER', there are the words reading 'Weegit and the Tricksters / Lyle Wilson c 1980 / Printed in Canada / By Evergreen Press Ltd.'. The poster is on a vertically rectangular, light yellow paper piece.

A black etching on a white background. Two horizontal line acroos the top middle with dots at either ends. Below, to the left side, there are two representations of lines. Next, there are two approximate squares made up of diagonal lines. Then, there is a fin-like shape. Below, there is an ovoid shape which is a bit longer horizontally than the two lines above. The etching is on a vertically rectangular, white paper piece.

A black salmon in profile and facing to the left side. The mouth is open. The fins are decorated by cross hatching. The interior of the body is decorated by ovoid shapes and wavy lines. The etching is on a horizontally rectangular, light brown paper piece.

Two white ovoid shapes on top of one another on a black background. At the top, there is a needle-like projection coming out of the left side. At the bottom, there is a needle-like projection coming out of the right side. From the centre, on the right side, there is an inverted L-shaped projection. Decorated with diagonal lines. The etching is on a vertically rectangular, white paper piece.

A black face, possibly that of a beaver or a frog, which is short and wide. Legs with a circular end are flanking at either side. Cross hatching and ovoid designs. Four teeth at the centre. The etching is on a horizontally rectangular, white paper piece.

A rectangular wood box on a flat base with a lid (part a) that fits on top. The sides of the box and lid are painted with red and black stylized creatures. There are two carved faces on the either sides of the lid with black eyes and eyebrows and a red mouth. The base, top, and sides of the box are made of red cedar; the faces are carved of alder and inset into the cedar, held in place with small wooden dowels. While there may be commercial paints used on the outside, the inner part is painted with a mineral-based paint made of red ochre.

The etching is comprised of four rectangles with a border all around them pressed into paper. Paper has deckle edge on all sides and includes ferns, petals, blooms, and grasses in paper fibre. Two rectangles are on the bottom, a larger one on top, and a long slim one at the top of these. Top rectangle is a narrow, dark orange-red band across the top with 'Analysis of Form by Bill Holm' in mirror-image block letters. Below the band, there is the largest rectangle with a central stylized sinewy dark grey figure facing left, wearing a mask, in profile with heavy eyebrows and a large recurved beak with the tip held in its mouth and holding a rattle in the hand on the right. Background at the top left in thin black lines and crosshatching with grey form line, etc., of an incomplete symmetrical northern style image with two similar heads at the top. One head at the centre right and a hand at the lower right. In the lower left quadrant, in pencil, there is a stylized bird, eagle ? Across the field at the figure's calves, there is a row of short diagonal, uneven lines. The bottom two rectangles are hand lettered facsimiles of both sides of an Indian status identification card in dark brown ink and a light brown paint. The rectangle on the left includes, at the top, 'Certificate of Indian Status' and 'Indian and Northern Affairs' with a Canadian government maple leaf symbol between. The artist's name, district, Band, and identity number are also shown. The rectangle on the right has a drawn portrait of the artist on the right and the artist's stats in information boxes at the left. At the bottom, there is a signature and a bird insignia. Some n's and a seven are backwards. Outside the pressed border, but at the same height as the top rectangle, there is a black sewn thread from one side of the image to the other. Inscriptions along the bottom. Some images are similar to the images on the cover of Bill Holm's book, "Northwest Coast Indian Art: An Analysis of Form". The etching is on a vertically rectangular paper piece.