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Carved silver spoon with shallow, ovular bowl and downward curving handle. Engraved raven design in bowl, stretched towards handle. The tip of the handle is shaped into a pointed bird head. Fine crosshatching in the negative spaces.
Silver pendant, cutout shape of a sea grizzly in profile. A pin clasp closure attached on the reverse. There is a round hanging element above the clasp. Artist inscription on back. Large paper label taped on reverse.
Sterling silver cuff-style bracelet with engraved and crosshatched design covering entire outside surface. Artist's inscription and date inside.
Silver spoon carved with a raven in profile. Bird's head sits in the bowl of the spoon. The body is in the middle of the handle. The tip of the handle is shaped into a pointed bird head. Fine crosshatching in the negative space.
Carved silver spoon with shallow, oval bowl and downward curving handle with rounded end. Bowl has engraved wasco (sea wolf) design. Fine crosshatching in the negative space. Artist inscription and date on back.
Rectangular cigarette lighter with flat sides and rounded ends. Depicted is the figure, whose face covers the ends while the body wraps around each side. The figure is in a crouched position with its head near the ground and resting next to its hands. Fine hatching in the negative space. Artist inscription "HAIDA ART Reid" on base.
Square shaped silver earrings (parts a-b) with rounded corners depicting an eagle's head in profile. Inscriptions on back of both read: "HAIDA ART" and "Reid." On screw back is "STERLING".
Carved argillite sea captain figure, with inlaid ivory face. Upright standing male figure, on rounded rectangular base, with arms down at sides but curving toward front. Figure is wearing a long coat and pants with flower buttons, pointed shoes, and a brimmed hat over curly hair. His right hand holds a dog against his front, in profile. Left hand is in his pocket. Cross-hatched design on dog's body.
Large oval argillite platter with shell inlay around the top of the outer edge. The centre of the platter is concave and completely covered with a design of a large, central, sculpin face, with a human on each side of it in profile, facing inward. The rim had sixteen evenly spaced oval shell inlays, but seven shells holes are empty.
Rectangular carved frontlet with Thunderbird or other bird-being in relief; abalone inlay along both sides and across top, and used for accents on animal features. The bird has a recurved beak going into lower lip. Below the face are red human-like arms and hands with palms out, fingers upward, with abalone on each palm. The bird's mouth is open, showing a row of abalone teeth behind wooden incisors and red painted lips. The eyes are circles of abalone, under arched black brows. This supernatural being shares space with a small orca, whose dorsal fin rises upward and pectoral fins downward. Painted red, green-blue, and black. The rear of the frontlet is concave. Illegible hand writing on back surface.