Carved silver pendant of a thunderbird. The bird looks to its right and has its wings raised so they meet above its head. There is a small loop at this point. Inscription on back.

Print of a beaver. Face, ears, and midsection are heavily outlined in black. Face is shown frontally with black eyes, red nose mouth and jowls, and white teeth, the middle two being larger than the others. Arms and legs are red. Body has a face in it with crosshatching above. Signature, title, and edition number are below image in pencil. Two impressions at bottom left. Edition 19/225.

Artist's proof of shark print. Face is shown frontally with black eyebrows and pupils, red nose, mouth and sharp, downward pointing teeth, and blue-green around eyes and on forehead. Body is mostly black, with red and blue-green Northwest Coast design features. The arms and feet are outlined heavily in black and have Northwest Coast style faces in them. Inscription, signature, and date in pencil in lower left corner. Embossed in lower right corner.

Strip of silver held with wax ? to a block of wood. The silver is a long rectangle and has carvings on it. It is held to the wood with a greenish wax ? known as chaser's pitch. The wax ? is squished out from under the silver and covers much of the surface of the wood. The engraved design on the metal strip has an eagle's head as part of it. The back of the wood has a narrow strip of wood glued onto it. There is writing in ink on the back.

Storyboard-like panel drawn in pencil with parts outlined in orange and burgundy. Panel is divided into separate spaces for imagery by curvilinear bands. The top left shows two people talking. Below this a man stands at controls, and another man stands behind him with an insect in his open hand. The bottom right shows a circle with a map of Haida Gwaii (Queen Charlotte Islands) on it. The reverse is shaded with pencil.

Storyboard-like panel drawn in pencil with parts outlined in pencil crayon. Curvilinear lines divide the panel into separate spaces for related imagery: a large Northwest Coast style face in the lower right corner, with a smaller female face peeking out from behind; two people and a bear in a canoe above tree stumps; a fish swimming through water with many rocks. The reverse is partially shaded with pencil.

Storyboard-like drawing in pencil with parts outlined in orange on the top half and blue on the bottom half; drawing is divided into separate--but related--scenes by curvilinear bands. The top shows two salmon and a bear's head. The bottom left shows a bear. Beside this is a bear walking through a forest and below this is a bear sitting in the forest eating a fish, with fish skeletons around him. The reverse is partially shaded with pencil.

Storyboard-like panel drawn in pencil with some parts outlined in orange pencil crayon. The bottom shows the sea and mountains. Above this are two people and a bear in a canoe. Above this is a profile of a bear's face and to the right, a female. Separate scenes are divided by curvilinear bands resembling Northwest Coast style formlines. The reverse is shaded with pencil.

Storyboard-like panel drawn in pencil with some parts outlined in brown pencil crayon. The top has a line with a bear's head and paws poking out in the centre. The bottom right has a landscape scene. The bottom left has a canoe, with three figures in it, flying through large trees. Each of the scenes within the panel is separated form the others by curvilinear bands and lines. The reverse is partially shaded with pencil. Parts of the paper are cut away, including a triangle at each corner of the image.

Storyboard-like panel drawn in pencil with some parts outlined with purple pencil crayon. The top half of the panel shows an aerial view of a woman wading in a stream. The bottom left shows the naked woman walking through a forest. A circle at the bottom centre shows a figure lying on the ground with crossed arms and a hand moving a plant to reveal the figure. The bottom right shows half of the figure's face. the separate scenes are divided by curvilinear bands resembling Northwest Coast style formlines. The back of the drawing is almost completely shaded with pencil. The four corners of the paper are cut away.