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Thunder-Bird Charm (Piesikan)E395314-0

From card: "Gift of Edward Namegus, 1932, who had inherited it from his grandfather. Oblong black velvet and sateen on opposite side of a semi-stiff inside, beaded around edge in red and green. Most of front covered with large solid, hour-glass shaped design in white and a few blue beads, and square arch at top in same colors. Small floral spray in pink beads at each side. Supposed to be Thunder-bird design, gotten from a dream, very sacred, kept hidden, worn around neck (by a ribbon) mainly in bear hunting."

Culture
Montagnais, Rupert House and Cree
Made in
Quebec, Canada
Holding Institution
National Museum of Natural History
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Bag3018/1

Red felt bag with a long fringe. The bag is round at bottom, with straight sides and top, and a long handle. Handle and felt embellishments on bag are in black felt. On the front are four 6-petal flowers made from moose hair tufting, dyed red, purple and yellow and interspersed with green leaves of the same material. A strand of twisted grey hair makes a circle under the flowers and leaves. On the bag’s edges is sewn a thick fringe of deer skin. The interior of the bag is lined with cotton in a small floral pattern. The closure sits at the centre of the bag’s opening, and is a strip of black felt with a metal snap.

Culture
Cree
Material
wool fibre, cotton fibre, deer skin, moose hair, caribou hair, dye and metal
Made in
Vancouver, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
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Gauntlets2013.38.1a,b

The Elizabeth Cole Butler Collection.

Culture
Cree
Material
hide and cotton thread
Made in
“Arctic/Subarctic” ?
Holding Institution
Portland Art Museum
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Moccasins2013.17.6a,b

The Elizabeth Cole Butler Collection.

Culture
Cree
Material
glass bead, button, wool fabric and hide
Holding Institution
Portland Art Museum
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Moccasins2013.17.5a,b

The Elizabeth Cole Butler Collection.

Culture
Cree
Material
glass bead and hide
Holding Institution
Portland Art Museum
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Belt2013.17.4

The Elizabeth Cole Butler Collection.

Culture
Cree
Material
quill, bead and hide
Holding Institution
Portland Art Museum
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Eagle Plume2004.78.3

Gift of the Amon G. Carter Foundation.

Culture
American and Cree
Material
clay and acrylic paint
Holding Institution
Portland Art Museum
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Duck Pipe2004.78.2

Gift of the Amon G. Carter Foundation.

Culture
American and Cree
Material
clay and acrylic paint
Holding Institution
Portland Art Museum
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Cree Man Standing2004.78.1

Gift of the Amon G. Carter Foundation.

Culture
American and Cree
Material
clay and acrylic paint
Holding Institution
Portland Art Museum
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Pad Saddle91.95.21

By the mid-eighteenth century horses had spread throughout the Plains region. As Plains Indian peoples became expert horsemen, they began to create a variety of trappings for their horses. Derived from Spanish pack saddles, pad saddles were commonly made by peoples of the northern and northeastern Plains such as the Plains Cree. Pad saddles are usually rectangular or oval tanned leather tubes stuffed with grass or moose hair. A band of tanned leather sewn across the middle provides an attachment for the stirrups. Floral beaded decoration covers the corners, from which hang beaded panels that are often further embellished with yarn tassels.

Culture
Cree
Material
leather, glass bead and wool yarn
Made in
“Plains” ?
Holding Institution
Portland Art Museum
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