Shrwana Raksaya Item Number: 3392/24 from the MOA: University of British Columbia

Description

A watercolour painting which depicts a spiritual being with a bird lying at its feet. The being's body is dark grey and its head is green. It is wearing a blue skirt that ends just below the knee and curls outward at the hip. The bottom of the skirt has a border made up of white, yellow, and orange horizontal stripes. The main body of the skirt is covered in thinner horizontal stripes, and consists of two pieces which come together in the front. A piece of fabric hangs down from the waist. An orange piece of fabric extends from the being's neck adornment to drape across one shoulder and arm, covering half of its chest. Decorative bands encircle the being's biceps, wrists, and ankles. The being has large, round eyes, a pointed black beard, and a grinning fanged mouth. Its headpiece comes to a point on either end. Two large discs protrude from the sides of its head. One of the being's arms is hanging at its side. The other is holding a pointed, hooked object with a long, thin handle. The bird at the being's feet is blue, with a yellow beak and eye marking. It has a long tail, and a single feather extending from the top of its head. The painting's background is yellow, and a rectangular black border surrounds the image. Blue and white oblong rings radiate from the being's head and shoulders.

History Of Use

The imagery is possibly associated with ritual healing in Sri Lanka. The set of watercolours (3392/3-34) is said to depict spirits that inhabit planets, or deviyo (minor gods) or rakshas and yakkas (evil or mischievous beings). These beings are often depicted in masked dances and exorcisms.

Iconographic Meaning

Identified as a Raksha (demon)/Yakka; mischievous or evil.

Narrative

The collector, Dr. Michael Egan, wrote his doctoral thesis on healing rituals in Sri Lanka. His fieldwork was carried out in the south of Sri Lanka, in the village of Kadurupokuna (Hambantota District), between Sept. 1965 and Nov. 1966.