Item number 2946/7 a-b from the MOA: University of British Columbia.
Public
This page shows all the information we have about this item. Both the institution that physically holds this item, and RRN members have contributed the knowledge on this page. You’re looking at the item record provided by the holding institution. If you scroll further down the page, you’ll see the information from RRN members, and can share your own knowledge too.
The RRN processes the information it receives from each institution to make it more readable and easier to search. If you’re doing in-depth research on this item, be sure to take a look at the Data Source tab to see the information exactly as it was provided by the institution.
These records are easy to share because each has a unique web address. You can copy and paste the location from your browser’s address bar into an email, word document, or chat message to share this item with others.
This information was automatically generated from data provided by MOA: University of British Columbia. It has been standardized to aid in finding and grouping information within the RRN. Accuracy and meaning should be verified from the Data Source tab.
Large devil mask of painted tin. The head is all red with multicoloured eyes, protruding flame-shaped ears, two sets of horns curving in different directions, and a dragon projecting from the top of the head. There are blue and green plastic beads attached in rows on the red face and ears, pink beads attached to the smaller set of horns and the dragon, and gold coloured ornamental strips attached to the larger horns. The ears, horns and the dragon are multicoloured (mainly blue, yellow and green, with some red and pink). There is a separate purple hairpiece (part b) that hangs at the back.
Supay mask; used in the diablada dance performances, during the Virgin of Candelaria feast days. For the people of the Andes, metals were considered "like the harvests, products of the earth", and to extract them, in the colonial period and today, a prospective miner or speculator must be prepared to make a contract with their proprietor. There were various proprietors throughout the centuries, with Supay, also identified as Apo Parato, appearing around 1650. Miners made offerings of chicha, feathers, and diminutive wax effigies for Supay; they hoped for clothes, silver, and food in return. In many of his depictions, Supay has a large erect phallus and can return a miner's lost virility. He has an intimidating and belittling attitude to his supplicants, and the minerals hidden in his cavernous world are often though to be false riches. He is associated with the remaking of the world after the Spanish invasion; also associated with sickness and death.
Purchased from the maker in Puno.
Let the RRN community answer your questions
Public
With an account, you can ask other users a question about this item. Request an Account
Share your knowlege of this item with the RRN community
Public
With an account, you can submit information about this item and have it visible to all users and institutions on the RRN. Request an Account
Verifying you are human. This may take a few seconds.
RRN ID