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Cultural Context

religious

Description

Painted wooden votive plaque known as ema (絵馬), depicting a woman praying next to a shrine. The woman wears a grey and red robe; the background is blue. The back has "Daishi Inari" written in pencil.

History Of Use

The history of ema (絵馬) can be traced back to the eighth century. Historically, ema were offered to a shrine, for example, to wish for a good harvest. Nowadays, they are offered to Shinto shrines or Buddhist temples as votive plaques where worshippers write down their wishes or thanks to the deities. There are two kinds of ema: koema (小絵馬) and ōema (大絵馬). Koema are the small size ema which are offered by members of the general public, either in fulfillment of a vow or as an entreaty to a deity for help in achieving an objective or rectifying some unfortunate condition. Ōema are the large ema displayed in conspicuous locations in shrines or temples and focus more on the artistic representations.

Iconographic Meaning

Ema (絵馬) contains two characters: e (絵) is the picture or pictorial representation; ma (馬) is horse. The horse in Shinto serves not only as a vehicle for various gods, but also as a messenger between the temporal and celestial worlds. People used the horse representation on the wooden plaque to draw or write their wishes, so that the horse carries their wishes to deities of Shinto or kami (神). Inari jinja (稲荷神社) is a type of a shrine for a kami or Shinto deity, associated with agriculture, and also foxes, who are guardians at an inari shrine.