Basketry Vase
Item number 1435/28 from the MOA: University of British Columbia.
Item number 1435/28 from the MOA: University of British Columbia.
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Coiled cedar root basket with root foundation. Watchspring base with foot. Basket widens towards the top and then narrows to create a rim. Imbricated plant designs and butterflies with pink and orange accents.
A gradual change can be seen in basketry traditions from the 1820's to the 1940's with the decline of utilitarian basket making and the increase in decorated baskets made for sale.
When this basket was donated, the maker was unknown. The basket was classified as Central Coast Salish on the basis of techniques and materials: lengths of cedar roots sewn over bundles of finely split cedar roots, and imbricated patterns of dyed grass and cherry bark. However, in 2018, Tony Hardie brought a basket to MOA that was almost identical to this one, made by his great-grandmother, Christine Hardie, a Secwepemc basket maker. It was clear that this basket was made by the same hand.
Sto:lo weaver Wendy Ritchie stated, in 2000, that this type of basket appears to have been made with a bone awl because it is fine (metal awls make larger holes and the point of entries become blackened). However the bark used for the design elements was thin and is breaking up. She further noted that the bright colours were likely achieved through the use of commercial dyes.
This basket has a shooting star wild flower (tmicw) design.
made for sale
This data has been provided to the RRN by the MOA: University of British Columbia. We've used it to provide the information on the Data tab.
Coiled cedar root basket with root foundation. Watchspring base with foot. Basket widens towards the top and then narrows to create a rim. Imbricated plant designs and butterflies with pink and orange accents.
When this basket was donated, the maker was unknown. The basket was classified as Central Coast Salish on the basis of techniques and materials: lengths of cedar roots sewn over bundles of finely split cedar roots, and imbricated patterns of dyed grass and cherry bark. However, in 2018, Tony Hardie brought a basket to MOA that was almost identical to this one, made by his great-grandmother, Christine Hardie, a Secwepemc basket maker. It was clear that this basket was made by the same hand.
Sto:lo weaver Wendy Ritchie stated, in 2000, that this type of basket appears to have been made with a bone awl because it is fine (metal awls make larger holes and the point of entries become blackened). However the bark used for the design elements was thin and is breaking up. She further noted that the bright colours were likely achieved through the use of commercial dyes.
This basket has a shooting star wild flower (tmicw) design.
A gradual change can be seen in basketry traditions from the 1820's to the 1940's with the decline of utilitarian basket making and the increase in decorated baskets made for sale.
made for sale
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