Strange Tents Item Number: Na1506 from the MOA: University of British Columbia
Three tents, the top one has a man attached to a seven headed bird tent. The middle tent has a bird with outstretched wing attached with a human alongside; blue dots surround the central image. The bottom tent has five legs supporting it with two birds attached, with stripes along the body of the tent and legs. Stamped with names of artist and printmaker in Inuit syllabics in monogram form with Cape Dorset stylized igloo in lower left corner. Canadian Eskimo Arts Council stamp of approval and Cape Dorset stamp blind embossed in lower left corner. Bottom reads; 'Strange tents lithograph 43/50 Dorset Ikayukta."
The Inuit prints consist of stencils, stonecut engravings and lithographs from the communities of Cape Dorset, Baker Lake, Povunenituk, Holman Island, Pangnirtung and Clyde River. The first Cape Dorset prints were in 1959, Povunenituk in 1962, Holman in 1965, Baker Lake in 1970, Pangnirtung in 1973 and Clyde River in 1981. Since the late 1940's Indian and Northern Affairs have supported the development of art from the Canadian Arctic in co-operation with the Canadian Eskimo Arts Council. Catalogues have been published since 1959 and most of the prints are documented in their year of production. A print shop was set up by James Houston in Cape Dorset in 1958. Stonecutters Igola, Eegvudluk, Luktlak and Kanangenak began training for printmaking. James Houston decided that the co-operative would work well in the Inuit community. Specialists would prepare and cut the stone block, another artist would do the drawing and someone else would do the printing. The symbol used by the Cape Dorset group was a stylized igloo. The Cape Dorset Co-operative produces an annual catalogue illustrating and documenting prints produced within that year.
Balshine family collection.