Hat Item Number: Sf929 from the MOA: University of British Columbia
A conical stocking cap with a red tassel at the top and a ribbed frill around the bottom, in white with green, yellow, red and dark red edging. The top half is mid-brown and the bottom half has four bands of geometric motifs on a dark red background. Two bands repeat a six part floret connected by oblique stepped lines. One band repeats a left and right slanted ovoid. The third band has birds, circle, cross and butterfly motif. Bottom frill is not a complete circle.
The colour, extent of patterning, shape and the manner in which chullus or caps are worn signal differences in age, sex and status of the wearer. Females wear chullus in early childhood, but only males wear them later in life. Traditionally, knitting is done only by men and boys, formerly for chullus, but recently also for vest fronts, coin purses, gloves, ties, vests and sweaters which are sold to tourists.
Plain knitting done circularly on five needles with extra colours carried on the inside for local colour areas.
Commissioned by mail from Gonzalo Yucra Huatta for the Museum's collection. It has not been used.
The range of motifs refers to local geography and landmarks, ecology, fecundity as well as luck. The six part circle refers to the division of land into six sections on Taquile and the rotation of crops and fallow periods. The s or z shaped reverse curve can refer to the boat port or other objects that contain the idea of turning or returning such as a recurved potato hook. The cross or x-shape can refer to the warping cross in weaving, the crossroads or other intersections. The stepped diagonal lines refer to stairs on the steep island, but also to the connection with the afterworld in a particular myth. The motifs represent basic concepts or interrelationships and may have different particular references.
infant female